Deadline Hollywood is regularly included on lists of top entertainment websites. Influential industry leaders and key decision-makers across many fields track Deadline many times a day and its postings regularly receive more reader comments than all of the entertainment industry news sites combined.
Mike is known for his industry relationships and his ability to break news wherever it happens, including on the ground at festivals like Sundance, Cannes and Toronto. He then joined New York Newsday as a columnist, reviewer and entertainment writer. Nellie Andreeva Co-Editor-in-Chief, TV Contact or follow this author Twitter Email Nellie's insightful analysis and thorough coverage of TV deals, pilot season, markets and executives makes her one of the most respected journalists covering the television business today.
Before joining Deadline in , Nellie worked for 10 years at The Hollywood Reporter where she covered TV for the trade's online and print editions. Patrick Hipes Executive Managing Editor Contact or follow this author Email Patrick joined Deadline in and works closely with the editorial team running the site's day-to-day news operations.
He has been aboard since Prior to joining, his work regularly appeared in his native UK - for outlets including The Sunday Times and The Guardian - and around the world. He has also worked extensively in film and television, producing EPK and production notes and working as a unit publicist. Peter is also the author of nine books, and is a member of PMC's board of advisors. She has written a New York Times bestselling non-fiction book and regularly appears on French television network TF1 as an entertainment expert.
Matthew Carey Documentary Editor, Awards Contact or follow this author Twitter Matthew Carey joined Deadline fulltime in , after a long association as a freelancer, to specialize in coverage of the nonfiction film landscape. Brandon Choe Photo Editor Contact or follow this author Email Brandon joined Deadline in December to oversee photos and charts after spending the past three years at Getty Images as an entertainment picture desk editor.
During his tenure there he began interning at Deadline until graduation. He has written for Deadline since Earlier, he was a Los Angeles-based editor for the online news service Inside. A native of Western Pennsylvania, Cieply lived there and in the Detroit area before attending the University of Michigan, and then graduate school at Stanford University. He has lived in Southern California since , when he joined Forbes Magazine as a correspondent in its Los Angeles bureau.
A writer of graphic novels and screenplays and a lover of all things film, she is part of Deadline's reviews team and is co-host of Deadline's New Hollywood podcast, where she will continue to amplify voices from marginalized communities. She is based in New York. She previously worked at Entertainment Weekly, where she had been a digital news writer the past two years.
She is based in Los Angeles. His first job in the film industry was at Savoy Pictures' headquarters in New York where he worked in film distribution. In the summer of , he was hired by Variety and moved to Los Angeles, and remained in the newsroom covering numerous parts of the industry, including box office, for about a decade. Prior to arriving at Deadline in the fall of , where he co-edited the site's sister publication Awardsline, Anthony covered the box office beat for Indiewire's Thompson on Hollywood.
Previously she was at The Hollywood Reporter, where she had been freelancing after serving as an intern both there and at TheWrap. Her work has also appeared in Billboard. He contributes to the awards coverage of animation and the craft side of film and television.
In his role as Assistant Editor, Ryan also contributes to the editing of Deadline's AwardsLine magazines and interviews contenders above and below the line. He also reported on the British TV sector's diversity push and efforts to end bullying and harassment. He has regularly appeared in the national media on a variety of TV topics and has freelanced for a number of UK trade mags along with global free speech publication Index on Censorship. She follows corporate finance, deals and publicly traded companies in media and entertainment, film financing, and New York film and TV production.
She was previously contributing editor at Current covering public media, and has worked at Variety, The Hollywood Reporter and Dow Jones. Tom was previously at Screen International, spending five years there rising to Senior Reporter across the UK trade's print and online operations.
He has also worked in events and as a freelance journalist for UK national newspapers, and regularly appears on radio as a pundit on a variety of film topics. In that role, he contributed to the coverage and editing of the magazines throughout the year, focusing on artist interviews revolving around awards season and its big nights including the Oscars and Emmys. Matt also manages the Production Value video series, which spotlights the premier craft talent working in film and TV.
She had been Director of Film and Television. The move is effective immediately. Cieply will join Deadline as Executive Editor August 1, bringing a wealth of knowledge and experience to the…. In this newly created role, Badia will work with the photo and…. This is a new position at the company. Zaczkiewicz, formerly Deputy Editor of Data and Analysis at WWD, will lead efforts to identify, assess, develop and publish special reports, content projects, white papers and new content….
IndieWire has long been the leading news, information, and networking site for independent content creators, industry and fans alike…. She will move from her blog, Thompson on Hollywood, to expand her six-year relationship with Indiewire as Editor-at-Large, working closely with Editor-in-Chief Dana Harris. Indiewire is also…. Los Angeles, January 20, PMC-owned Variety has hired seasoned journalist Carolyn Horwitz as Managing Editor, in a move aimed at bolstering and expanding the leading source of global entertainment news across its print, digital and video platforms.
Actor on Actor Conversations to stream on Variety. This is the third edition of the Actors on Actors series and will focus on…. Los Angeles, November 9, Variety veteran Kirstin Wilder has been named international editor for the global industry trade publication.
Wilder will also identify new opportunities to extend the…. The iconic publications are coming together to recognize and celebrate…. Site to leverage expertise of revered U. Hire of top L. Buckner has been a photojournalist with Getty Images….
Los Angeles, Calif. The winners were announced at the 67th Los Angeles…. PMC expands dominance of entertainment reporting by adding GoldDerby. Gold Derby brings with it to PMC distinctive opportunities to integrate…. Janko Roettgers, who previously served as senior writer at technology publication GigaOm, is joining Variety as senior Silicon Valley correspondent.
WWD will continue to lead the industry with the most expansive and consistent news…. Penske Media Corp. Mashable Partners with India. An experienced digital editor with a proven track record in the online space, Sartore-Bodo will work closely with Hollywoodlife. Following nearly a decade of successful events throughout the….
AdShops launches today with…. He will spearhead the expansion of…. Leading movie website redefines its future with new course and new type of YouTube product.
Showbiz bible offers free access to news after dismantling paywall. It has ventured into a realm where it just reports [showbusiness] deal after deal. Deadline has become bland and boring. Deadline evolved from Finke's blog, which drew fans with scoops, reputation-shredding attacks on industry figures and "live snarking" commentaries during award ceremonies. Finke confirmed rumours that Penske's purchase last year of Variety — a once-mighty industry magazine weakened by online rivals such as Deadline — soured their relationship.
It's not fair. Penske spent heavily to reinvent Variety and reportedly angered Finke by denying her a role in the venture. Can't wait to report the real truth about Hollywood. She said Penkse wanted to keep her, despite the falling out, but that lawyers would extract her from Deadline.
0コメント